Named after British painter William Payne (1760-1830), early formulas contained indigo, alizarin lake, and ivory black. Today more commonly a mixture of ultramarine blue and black, it is considered easier to control and less intense than black as a mixing color. (Series 2)

The first acrylic colors offered by GOLDEN, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added.

Each Heavy Body color formula reflects the qualities of its pigment. Colors that tolerate a higher pigment load dry to a more opaque, matte finish. Colors that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colors contain no matting agents, the gloss of each color will be different.

Characteristics:
Thick paints that retain texture of brushstrokes and tool marks
No fillers, extenders or dyes
Rich, vibrant colors for clean color mixing

Technical Detail

Opacity / Transparency	Semi-Opaque
Lightfastness rating
Munsell Notation Listing	Hue:4 P Value:1.7 Chroma:0.6
Gloss Average	29.3
Viscosity Range	23000- 27000 CPS
CIE L*a*b* Values	L*24.12 a*0.05 b*-2.24
Tint Strength	74.88